This last week took us from the vineyards of Santa Cruz to the rough beauty of the ocean at Isla Negra, from the steep hills of Valparaiso to the ancient Araucaria forests around volcano Llaima, until, after a six hour drive on narrow gravel roads winding up and down the hills of the Inter Lagos region, we arrived here in Villarica, a pretty little town of about 40,000 on the shore of beautiful Lake Villarica.
From our room on the second floor of the "La Torre Suiza" hostel we have a view of the slightly smoking Villarica volcano, its snowy cone, sticking out of a fluffy bank of white clouds, an amazing sight against the deep blue sky. One can climb this volcano and look into its crater, feel its hot breath, before sliding down using an ice axe as a brake - Magnus and Courtney did this last year - and Johann is seriously contemplating taking part in a guided tour.I, on the other hand, am afraid the 2600 m gain in altitude, 1000 m of this on foot, might be a bit too much for my heart, so I will be content to view it from below.
My heart didn't need the workout of a climb to beat faster - this country has other means to achieve that.
A week ago today we said goodbye to the vineyards of the Santa Cruz region and took a bus back to Santiago, and from there to tiny Isla Negra where Pablo Neruda spent many years of his life. Nobody but us got off the bus here, and even the few craft stands on the sidewalk didn`t change the little village`s sleepy disposition. We shouldered our backpacks and walked up the dusty road to check into "The Poet's Madness" hostel, breathing in the spicy scent of the huge Eucalyptus trees along the way.
Hungry, we walked down to the village again a little while later, found a panaderia with a choice of buns and cheese, and a botilleria where we bought a bottle of wine, and decided to have lunch down by the sea, only a couple of hundred meters away from Pablo`s house. Here, there was little beach, only huge boulders acting as a bulwark against the elemental force of the ocean. Never before had I been face to face with a sea like this, wave after wave throwing itself against the rock, roaring, hissing, a living thing capable of incredible force. Oh, I could well understand how Neruda not only loved the sea but feared it! Every time I watched the wall of water come closer, inky blue-black changing to turquoise until it became almost transparent just before spending itself on the rocky shore, I felt it take my breath away, leaving me gasping, heart beating rapidly.
Still, I wouldn`t have moved back an inch as long as I was safe, so exhilarating was it to feel the ocean`s spray on my face. Pablo, on the other hand, was said to have sat in his white sail boat high up beside his house, watching, but safely out of reach of the waves.
He was fascinated with anything connected with the sea and with ships, which is apparent in his two houses in Valparaiso and Isla Negra, both of which I was able to visit, though not the one in Santiago. They both have a splendid view of the ocean, in Valparaiso high up on one of the many hills, with Neruda`s study in a little tower room at the top of `La Sebastiana`, as he called it affectionately, the long half moon of bay stretching out far below. He came here a few times a year even when he didn`t live here permanently anymore, and always for New Year`s, the biggest party of the year in Chile, when fireworks light up the entire 30 k stretch of coast for half an hour.
The stolid stone house at Isla Negra which Neruda bought unfinished and had finished over a long period of time was supposed to look like a ship. Rooms are filled with an incredible amount of collected items, bought in antique stores and found on flea markets, or given to him by friends (after well-placed hints). Knick-knacks, kitsch and beautiful pieces share shelves and walls, peacefully co-existing in this place that shows Neruda`s joy to play and create for the pure fun of it. There are masks from New Guinea and Africa, a butterfly and beetle collection, and a papier-mache horse, big as life. This was one of the things he was especially proud of: walking to school in Temuco where he grew up, he had seen this horse in front of a saddle shop every day and remembered it fondly even as an adult. Several times he asked the owner to sell it to him, but without success. Finally, forty years later, the shop burned down, but not the horse in front of it, and Neruda was able to buy it. He had a room built especially for this horse, where it shares space with a few other items with a somewhat agricultural purpose.
Many, many of the things displayed are reminiscent of the ocean: not only the figureheads of ships, bull`s eyes in the walls, doors so low that even I had to be careful not to hit my head, much more Neruda himself who was not a small man at about six feet, and a girth indicating his delight in food and drink, but also nautical maps from the 16th and 17th century, nautical instruments, and a sea shell collection housed in a room added by the Neruda foundation for the very purpose of displaying it. Its prize item is the tusk of a narwhale Neruda bought in Denmark.
Sea shells, curved side up, are embedded in cement in one of the entrances: good foot massage, he said; an impressive collection of ships in bottles, all done by a German craftsman, are displayed on shelves in windows facing the ocean.
Here, then, he composed so many of his poems, worked diligently and with discipline eight hours a day, getting up early. He loved entertaining, often had friends over, liked red wine and whiskey and would not give up his nap even for visitors. His fondness for stained glass shows in many of the doors in both houses, and his collection of coloured goblets is impressive. He is said to have claimed that even water tastes less bland when drunk from a coloured glass.
Standing in front of the place a little below the house where he and his third wife Matilde found their last resting place, overlooking the ocean, I hear his heartbeat in the rhythm of the sea, his voice carried on the ever-present breeze.
Poet's Obligation
To whoever is not listening to the sea
this Friday morning, to whoever is cooped up
in house or office, factory or woman
or street or mine or harsh prison cell:
to him I come, and, without speaking or looking,
I arrive and open the door of his prison,
and a vibration starts up, vague and insistent,
a great fragment of thunder sets in motion
the rumble of the planet and the foam,
the raucous rivers of the ocean flood,
the star vibrates swiftly in its corona,
and the sea is beating, dying and continuing.
So, drawn on by my destiny,
I ceaselessly must listen to and keep
the sea's lamenting in my awareness,
I must feel the crash of the hard water
and gather it up in a perpetual cup
so that, wherever those in prison may be,
wherever they suffer the autumn's castigation,
I may be there with an errant wave,
I may move, passing through windows,
and hearing me, eyes will glance upward
saying "How can I reach the sea?"
And I shall broadcast, saying nothing,
the starry echoes of the wave,
a breaking up of foam and of quicksand,
a rustling of salt withdrawing,
the grey cry of sea-birds on the coast.
So, through me, freedom and the sea
will make their answer to the shuttered heart.
(Pablo Neruda)